Book Review: The Inheritance by Lousia May Alcott

I was inspired to order this book again after seeing the movie adaptation of the story last week, so this is almost more of a comparison post than a proper review; however, first I will talk about the writing style which obviously isn't that connected to the movie.. or is it? There is a definite 'distance' created by the overtly poetic writing style which is somewhat betrayed by how it runs through your head! As I told my sister, I partly read it so fast because I was starting to think about the most everyday things in a fluting high flown style which is rather irritating in daily life. Not that I dislike poetic imagery (L. M. Montgomery is one of my muses), but the Gothic overtones of this got a whee bit head-achy. :)

The movie softens, no, does away with, the melodrama, leaving the natural intensity of the scenes and story to play out all the more profoundly. The workings of the story are vastly different from that of the book, but the spirit of it -- the integral parts of Percy giving his friendship so freely to Edith, her courage and skill with horses (though only slightly seen in the novel), even all the way to Edith looking “long and sadly” at the portrait of her father -- are all neatly tied in.

Perhaps it's my excitement for anything Ivanhoe, but I thought the whole imagery with the tableaux, Edith as Rebecca and Arlington as the Templar (while perhaps quite blatant) worked very neatly into their relationship. Having there be a Hamilton son certainly makes the whole disinherited thing a bit stronger, but why oh why was Edith so submissive to all of Ida's orders? It drove me crazy! It does make her more Cinderella-like to be sure, but I didn't see why Edith owed any especial deference to her. Why, if Lord Percy had been but a touch less observant he might have never seen anything of it! Observation, however, is the very keystone of his character which is something they bring out very well in the movie and also a character trait I highly admire/respect, so all is well. :)

Do I think it can be completely compared to the movie? Not at all. The book is quite melodramatic, with crumbling walls and single dropping tears – whereas the movie, in its thoughtful friendship, refreshingly gentle romance and adorable humor is one of the most everyday-like costume dramas I have ever seen.

Though the book was rather slower than I remembered it being, I had a great deal of fun remembering and placing little anecdotes and keys from it as seen in the movie and enjoyed my re-visit to it.

Book Review: Golden by Cameron Dokey

Before Rapunzel's birth, her mother made a dangerous deal with the sorceress Melisande: If she could not love newborn Rapunzel just as she appeared, she would surrender the child to Melisande. When Rapunzel was born completely bald and without hope of ever growing hair, her horrified mother sent her away with the sorceress to an uncertain future.

After sixteen years of raising Rapunzel as her own child, Melisande reveals that she has another daughter, Rue, who was cursed by a wizard years ago and needs Rapunzel's help. Rue and Rapunzel have precisely "two nights and the day that falls between" to break the enchantment. But bitterness and envy come between the girls, and if they fail to work together, Rue will remain cursed...forever.

I usually review only books that I’m totally crazy about, but really, that creates a very lopsided view of my reading. (Well, mayhap not quite so lopsided, as I tend toward reading only books that I know I will like, but I’m trying to branch out from that too. :))

So I decided to begin with this book. A book that I half like, from an author whose stories I love. Sounds good, yes?

To begin with the plot was just a little too scrambled for me. I liked most of the individual parts, but I couldn’t quite see how they were bound together. I will say no more here lest I give away the story, but only that some of the Strong Reasons for Things felt a little weak to me. And some of the dialogue was just a wee modern for my taste, but that’s just old-fashioned me.

Now for the happily delicious bits. First the big one: I loved how Rapunzel (later Susan) has no hair. Absolutely none. There are many books where the hero falls in love with a heroine because of her beautiful character, but the heroine just happens to be ravishingly beautiful, as well (though there is nothing wrong with that -- in fact, I enjoy that, too). Beauty of character is truly what gives the living glow to any loveliness. But I thought it was really neat how in Golden that is simply swept away. Yes, she has beautiful eyes, but they are hardly spoken of and it is her character that is laid clear and for which everyone loves/learns to love her for. You know the gift her hero brings her from his travels? Extravagant head scarves - each more shining and imaginative than the last. He brings her a covering! Ah, there could be some very neat imagery here!

I also like Rue’s romance with the prince; because it’s just plain cute.

As with Belle, this story is sparkled with nuggets of lovely prose and description, one of my favorites being the part where Rapunzel is running across the plain after being confined in the tinker’s wagon for several days. Even as I lay reading the book I could feel the great emptiness of the plain around and the joyous pounding of her feet upon the ground as she ran.

Now I’m finished, but I received a surprise while writing this. Examining and putting my thoughts in order, I think I might just like this story better than I first supposed. :)

Movie Spotlight: The Inheritance (1997)

Lately the name of a certain costume drama has been floating around this place, to wit, Lark Rise to Candleford. Many feeling terms have been applied to it (one of which coming to mind is Favorite Period Drama Ever), but that's not quite accurate, because before LRTC there was (and still is)... The Inheritance! And The Inheritance really is truly nearly perfect.

Firstly now, a synopsis:

Edith Adelon lives as the companion to the daughter of a wealthy family. Her life is a happy one, only slightly clouded by the knowledge that someday she will have to leave the only place that has ever been home to her. But time has a way of beginning things before you know it. A friend of the family, James Percy comes to ride in one of the greatest events in the neighborhood, the Greenscup. He and Edith connect in their love of horses and Edith soon finds herself falling in love with the very man specially “imported” to marry the shrewish cousin of the family. This cousin soon becomes a conniving enemy who will stop at no deceit to ruin Edith's chance at happiness.

And that is my own description and I'm really rather pleased with it, which is exceedingly nice. :)

The Music - Simply put, it is cantering put to music. Just listening, you can almost feel the musical inflection of the horse beneath you. Lyrical, thrilling and totally romantic, it whisks you away into the magic of olden days.

Sets and Scenery - Are so beautiful! I have little idea of where it is actually supposed to be set, but it looks like it must be in the South somewhere or it might be in California. The house looks very Spanish-inspired from the outside. But the exact locations don't really matter, because it's not really about accuracies, but just utter loveliness. And the overall coloring is so lovely: dusty brown and golden with tints of rose and just a general golden glow.

The Costumes - Bustles, riding outfits, ruffled ballgowns... it's all a pure delight. :) I talked more about most of my favorite dresses in this post. One I didn't mention was Edith's ballgown, which is creamy, ruffled and simply elegant. And her hair is so gorgeous. Could anything be more refreshingly lovely? The men's garb (i.e. James's) as it ranges from practical riding clothes to distinguished evening wear, is also positively wonderful.

The Characters -

Edith Adelon - I love how her humor and gentleness is coupled with just enough spice to make her terribly fun without being feisty. She knows uncertainty at times, but is always confident in truth. She's constantly inspiring while yet making you feel she would be the jolliest of chums. :)

James Percy – First, let us have a moment of silence. His name!!! Isn't it the neatest thing? Louisa May Alcott did have a knack for perfect names. :) Handsome and accomplished, he knows just how to put a shy person at ease (let alone knowing how to handle an overly-interested-young-lady) and his character is truly beautiful. He has everything a true man can and should have. A man that can be respected, with patience and just enough dash to make him very fun. :)

James and Edith together – First their meeting: oh, the sweetness... I can hardly bear it! So quiet and unassuming and there is a HORSE – his horse – there, too. Could it be better? In fact, could any of their relationship be better? The entire thing is simply beautiful, as in tear-worthily beautiful. And as their love grows – on a base of mutual interests and friendship – it will clearly be one for a full and joyful lifetime together.

Mr. And Mrs. Hamilton - The couple who have raised Edith. You know what I said about James and Edith? Well, here it is about twenty-some years later! They are different people, so it no doubt looks a little different than James and Edith's will, but it still has the wonderfulness factor. The humor between them is hilarious. And she is such an elegant and thorough gentlewoman. Honestly, she is really one of my favorite movie characters. Their daughter Amy – the young lady Edith is companion to – is truly bubbly and sweet, treating Edith much more like a sister than anything else.

The Villains... Are truly terrible! I mean, they must be on the list of the Worst Period Drama Villains Ever: sophisticated, cunning, and altogether simply infuriating.

And hence, some of the parts you should know about: Basically, the villain tries to force a kiss on Edith and there's a scuffle, but he gets his just deserts. The whole part is really easy to see coming. Also, some of the villainess's dresses especially are fairly low-cut.

So I reach the end of a review and once again words fail me. How do I adequately write of something where the glow of beauty is more felt than anything else: with the ache of sympathy as Edith meets and undergoes all the pain and misunderstanding that any true Cinderella knows, and then the deep bubbling joyful glow when she meets her “prince” and at last finds 'home.' It's all entirely heart-wrenching, romantic, and utterly beautiful!

Note: This review was first posted for Heidi's Cinderella Week and Miss Laurie's 2016 Period Drama Challenge!

Movie Spotlight: First Love (1939)

Except... it wasn’t first love for me. I wept and gnashed my teeth over it (pretty image, is it not? :)). The teacher was too nasty (I said)… her family was odious… and that was the end of the matter for me. Or so I thought.

But then, months later, I saw it again and (what is that line from Tangled? “And it's like the sky is new”).. I know that’s a romance song, but that part is so true for this story. Because I fell totally in love.

So it’s through those new eyes that I present this review –
,

First thought: Connie’s teacher is rather hard, but it’s the hardness of love that teaches what the world is like so that it won’t crush and then shows that love can be found even in the busiest, blindest of places.

But what is this place? The sparkly splendor of 30’s high society, complete with its crazy fur, dainty high-heels, and the swirling shimmer of the ladies’ shining skirts… It’s the stuff dreams are made of and, believe me, the perfect setting for a Cinderella story!

This movie has, I think, the funniest meeting between Cinderella and her “prince”, which gets only more comical as I think of the other versions. Ever After has him (ahem) borrowing her horse (such a little gentleman :)) and Cinderella 2015 has them both riding (love that scene so much!) But in this one Connie, obeying the order of her cousin to delay Ted Drake (i.e. The Prince) till she gets there, lures away his horse with some sugar cubes from the place where he tied it. And hence proceeds the most hysterical game of tag: with Connie in front and the horse galloping after, with Ted in hot pursuit. After which Ted very niftily pretty much saves her life. Totally adorable, I do assure you. :)

From there, the story only gets sweeter, from the interference of the “Nasty Stepsister” to the dreamiest ball sequence. Connie and Ted dance to a medley of Strauss waltzes thus instantly putting Strauss, and waltzing in general on my list of the Most Romantic Things Ever. The dance also includes the neatest fade-out effect with the other couples fading away, leaving them dancing in an empty ballroom and then having a lovely conversation on the terrace which overlooks New York City.

The entire story is entwined with songs that are variously joyful and as heartbreaking as they come. But the best moment? The end of course. (I’m skipping over the dividing part on purpose because second only to Slipper and the Rose it is the most heart-wrenching of the Cinderella partings.)

But I won’t tell you much of it… only that it is stirring, tugging your heartstrings, and utterly lovely with promises of a future all the brighter for dear Connie.

Aren't they the cutest ever?!!

Thus ends one of the loveliest (in both senses of the word) movies of all time, leaving you with a sigh of the dreamiest kind, a nice cozy feeling that glows to the tips of your fingers, and the feeling that love at first sight might just be possible after all.

Note: This review was first posted for Heidi's Cinderella Week and Miss Laurie's 2016 Period Drama Challenge!

Movie Spotlight: Ivanhoe (1952)

  While reading Ivanhoe I determined to see every film version that I could. This was first on the list. And may I say it is totally worthy of that place! Also, just for fun I decided not to put in any spoilers. Hence, all and sundry may read on with impunity.

Accuracy to book

This being an oldie interpretation of a classic, as you might guess there were a great many changes. However, I feel it kept close to the good old spirit of the story. And as the length of the film was much shorter than would allow for easy explanation of some problems, I think most of the changes made a great deal of sense.

Things to note 

My mother didn’t have my youngest sister watching it, but that was mainly because of some of the intensity, which would have been a bit much for her to take in. Otherwise there are no irritating scenes.

Costumes, scenery, and music 

The costumes are the almost fairy-tale finery that we all know and love from that era of film. The scenery and music go along with that—the part with the burning castle being especially thrilling!

Characters 

Ivanhoe 

I have to say it. This Ivanhoe was way “better” than the book—which is good as he is not only Ivanhoe, but the “Black Knight” as well. He does make one or two rather strange mistakes, however he carries off the whole “more or less in love with two girls at the same time” difficulty very honorably, is quick on his feet and altogether is a good egg. 

Rowena 

Rowena is a bit more mature and forthright than in the book. She also totally apprehends Rebecca’s feelings for Ivanhoe., indeed that whole loop comes in quite a bit. Otherwise she was quite good—and she and her chosen one make quite a noble couple.

Rebecca 

Beautiful, mysterious and with an inner glowing purity, this Rebecca is exactly how I picture her in the book. And the last scene with her and Bois-Guilbert and Rowena is simply perfection.

Brian Bois-Guilbert 

My very first reaction to discovering that George Sanders played Bois-Guilbert was inelegant snickers. I feared the worst. But judging from my past career I am sure you might guess what happened. That feeling totally reversed. Indeed I have decided that (barring Basil Rathbone who was born to play Bois-Guilbert, though he never did) I can picture no other actor from the time showing the roughness and deep tension of his character and temperament so well. And his soft repentant sort of expression? No one could have done that better.

Other important characters 

Prince John is THE most evil faced John I have seen yet, but what was really fun is that he and King Richard looked extraordinarily alike (except that one had all the goodness and the other all the appearance of it :)). No wait, I just got carried away—Richard actually had both. Isaac of York is shown as a good upstanding fellow—as is Locksley. Wamba’s loyalty was bravely shown. De Bracy (who as you may know, is one of my favorites!) is mainly shown as Bois-Guilbert’s henchman, hence he doesn’t really have the screen time of the novel, however, in its context, it actually turned out quite satisfactory. Cedric was not quite as antagonistic as he is in the novel, but he was still fairly grouchy.

Final Thoughts 

This is the Ivanhoe that I will go to when I want a nice homey evening with plenty of comfortable thrills. Good old medieval excitement of the best tradition, it has everything I love in a medieval classic drama—sword-fights, the storming of castles, and epic romance!

Book Review: Catrin in Wales by Mabel Esther Allan

When 16 year old Catrin goes for a short visit to Wales before settling down to work in London, she little suspects she will stay for the summer and longer because of a sick aunt. During which she becomes the custodian of a historic building, overcomes the wariness of the villagers, participating in the Welsh national life, and finds friendship and romance in the colorful, picturesque community.

Book recommendations from friends are the greatest and yet there is always a trepidation, a slight trembling of the fingers as I reach for the book. What if I don’t like it, and then it might hurt their feelings? So it was with this book and I. My good blogging chum Natalie wrote a glowing review for it, I ordered it from the library, and then read the first page and went…. oh dear! The story wasn’t horrid and I even liked the style and the descriptions were suburb; however, I wasn’t clicking with the heroine Catrin. I was feeling terrible about the whole thing. And then it happened. Half way through or so I couldn’t put it down! I was in Wales with Catrin, cycling around the cool green valleys with Gwen and visiting her friends at their farm in the steep windy hills. And I didn’t want to come back. Indeed, I read the last chapter several times just to drag out the finishing part, then sat and sighed in contentment over it. It’s not a second Little Women or To Have and To Hold, but it is unabashedly simple, refreshing and most Nancy Drew-ish (after all it was written in the 60’s). I think it is the neatest thing how they ride their bikes seemingly everywhere they go and I now have a burning desire to take a bicycle tour around Wales. Altogether it is a lovely example of a perfect summer read – light, unpretentious and quite pleasing!

Book Review: Ivanhoe by Sir Walter Scott

It's one of the first “historical-fiction” novels. It's poetry in prose and prose in poetry (or it would be if such a thing were possible). It's stirring and romantic and totally epic. It's...Ivanhoe.

Even before this reading, Scott was not unknown to me. I had read both his The Lady of the Lake and The Talisman and I had seen (most) of the 90's Ivanhoe mini-series. Yet I nearly put Ivanhoe aside. The speech of the characters was simply too outrageous, I said. Scott the poet had waxed too enthusiastic in his prose. I would pick it up only to toss it fitfully aside and that only to look at it with my face wrinkled up in indecision. In such manner I worked through the first 100 pages or so. And then something happened—I could not put it down! I tried, but the excitement within the story was intense. Each intense (or humorous, as the case might be) scene swirled to further intensity as the stakes the characters fought for mounted in tension and power. Strangely enough, it was not the troubles of the hero that kept me reading, it was the others. It was the rough yet nobly minded Cedric; the simple (or should the word be level?) minded Athelstane (you have to love Athelstane :)); the chivalrous Black Knight; the also level-headed (with the perfect touch of wit for spice) Locksley. It was the brave and hilarious De Bracy, the courageous Rebecca and finally...Brian Bois-Guilbert.

Cedric begins on rather an unwieldy note. In other words, I couldn’t bear him. However, through the story his nature begins to unfold and you begin to see him for the true noble he is. Indeed, such were my feelings for him that by the end I wished I could give him a big squeezing hug as I give my father (except that I think that Cedric would not appreciate it as much as my father).

De Bracy. I know he is technically on the side of the wicked Prince John, but honestly, if Scott wanted us to love the hero, he should not have created such charming and not-exactly-evil villains. And De Bracy is every wit that, for with all his ambition and mad schemes he does have some sense of honor and he is a brave and skillful knight. Finally, he has humor and light-spirits even in slightly unpleasant circumstances, which Ivanhoe does not. Altogether I like him very much indeed!

Brian Bois-Guilbert aka The Templar. Where do I begin…? His character is incredibly complex and incredibly fascinating. Though the book may be called Ivanhoe, it is Bois-Guilbert who sweeps the story before him and takes hold of the imagination with all the questions raised of a soul tortured by both his past and present. Of all the characters in the story Rebecca was the only one whose quiet strength was the equal of the intense flame of his. The one thing which his incredibly strong nature attempts to break unheeded. Or rather, in the attempt, it is broken itself and the proud Templar finds himself shaken in all the power he held within his hitherto unmoving hand. Ah—and then the end. Trust to Scott to make a hopelessly tied-up situation, with only one way out—and that only for the hero and none for his adversary! However, it was the only way…or at least the only way to finish it with honor for everybody and without ending it in ridiculous improbability. Scott never sways you to think that any of the evil Bois-Guilbert does is good and his ending is a just retribution for his actions. Yet it hurts. Scott had invested so much into his character and though I knew what must be his end, it was painful when the time came and—I admit—I cried.

I have not touched on the many others that make this story memorable, too: Rowena, the Black Knight, Friar Tuck, Wamba, Isaac the Jew—even the named hero of the piece, Ivanhoe. I don't know if I did it on purpose or if it just happened that way, but I think it's turned out perfectly. Those characters are all good and I relish the reading of them, but it is in the bitter and grieved and complex that Scott's brilliance shines and it is for that—in both his writing and his characters—that I love this story.